The Ron Kane Files

Writing About Music

Monday, April 20, 2009

Lene Lovich


4-20-09 Lene Lovich

10" 1980 GLOBAL ASSAULT (10") STIFF/EPIC US AS 769
1980 6 TRKS Live, London & Boston, promo-only

LP FLEX STIFF UK SEEZ 19
1979 10 TRKS

CD FLEX...PLUS RHINO US R2 70521
1979 18 TRKS 8 x bonus tracks

12" NEW TOY STIFF/EPIC US 5E 37452
1981 6 TRK EP; with pic sleeve

12" NEW TOY pic label STIFF JPN VIP-5908
1981 6 TRK EP; with large pic labels, insert

LP RADIO PROMO ALBUM STIFF UK LENE 1
1979 21 TRKS interview, promo-only

LP STATELESS STIFF/EPIC US JE 36102
1979 11 TRKS autographed

LP STATELESS STIFF UK SEEZ 7
1979 11 TRKS red vinyl, UK version

CD STATELESS...PLUS RHINO US R2 70520
1978 17 TRKS 6 x bonus tracks

I did not start out as much of a Lene Lovich fan. When her stuff made it’s debut, she was one of several acts on Stiff that I only had a sideways glance at. It was probably that she was older than I was, and I didn’t totally ‘get’ the thrift store look or wound-up (fake?) hair. At the time, she was ‘typical’ of what KROQ-FM would blindly play (as in, they’d even play album cuts – if the artist was “new wave” enough). I didn’t understand her feverish fans, and it certainly didn’t help when “New Toy” got to be such a big hit – around here anyway. That should’ve been her entrance into eth mainstream, but…never on an album at the time, and never really ‘followed-up’. Then, >> poof << - she was gone!

The years come and go, and I now find “Stateless” to be a rather charming collection of songs. I believe there is involvement from an old mate of Peter Hammill, Chris Judge Smith. I was amused to find an autographed copy of “Stateless” in a $1 bin in Oakland / Berkeley. Also amused to find her Japanese 12” with large picture labels, as well as the promo-only records “1980 Global Assault” and “Radio Promo Album”. Both of those would’ve gone for some big bucks, in their day – but I got both of those titles inexpensively, somewhat recently!

And she has some nice music videos on “Stiff’s Greatest Hits” – “Lucky Number” and “Say When” being particularly memorable. I’d love to find 45’s of those two songs. Both of the Rhino CD’s I have on her came from the bargain bin. And I’m no longer so totally “Anti-Stiff”, recently converting to Jona Lewie!

I last wrote about her in 2005, before I found some of the records:

“And what about her appearance in “Cha Cha”, the Dutch movie with Nina Hagen and the late Herman Brood? I didn’t care about any of them at the time, but I have since become a huge Herman Brood fan – good thing I have a nice copy it on videotape!”

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2 Comments:

Blogger chas_m said...

I was (and still am!) one of the feverish fans of Lene.

While she did admittedly enter the scene with a pack of like-MINDED artists, she nevertheless always stood out as kind of a New Wave Yma Sumac. The incredible multi-octave range, the forced exoticness (she was actually born in Detroit IIRC, but has lived in many places), the vocal tics, the compelling stage show ...

Anyway, after dicking around for 15 years ("raising a family" they claim!), Lene and Les finally brought out a new album in 2005, "Shadows and Dust." I don't like it quite as much as 1990's "March" (which I think is actually her best album!), but it's very consistent with her previous work and a few cuts are absolutely golden.

A unique and stylish talent who has cut her own path without compromise -- gotta love that!

4:28 PM  
Blogger Ron Kane said...

Last new thing I heard by LL was "New Toy". End of story.

5:55 AM  

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