I just read that Finnish musician Pekka Pohjola passed away, aged 56. I always loved his 70's instrumental work. He was also the bassist of Wigwam and The Group. He also worked with Mike Oldfield. I love his "B The Magpie" album.
Last weekend, I found a paperback copy of the recent Suzi Quatro autobiography at a new bookstore near my GF's place - "Stories". This bookstore also serves coffee, so must give that a try sometime. I am still reading "Unzipped" - the tale is good, but it's not my favorite style of writing. It makes me want to read Noddy Holder's book.
Next week, we have some silly lists to take a look at. I'm off to enjoy my Thanksgiving holiday! See you next week!
I never had the same trouble with Phil Manzanera that I did with Eno albums – for one, Robert Wyatt was on “Diamond Head”, the debut Manzanera solo album!
Which has material pertaining to their first four P.M. solo albums
And to this list, I supposed you could add Quiet Sun “Mainstream” (which I have on both LP and CD) – genuine ‘progressive rock’.
If I bought “Diamond Head” because of Robert Wyatt, I got the next two albums because of Split Enz members.Mr. Manzanera, of course, produced the UK Split Enz debut “Mental Notes” (not to be confused with the Australasian album of the same name, where the UK Enz LP is called “Second Thoughts”).And if we tack on another 20 years, I would’ve bought ‘em because of the involvement of Godley & Crème!
After “K-Scope”, I sort of gave up on P.M. – I recall that “Primitive Guitars” was an album of instrumentals and “Guitarissimo” was a collection.However, I have been getting his newer solo works (the ones on Hannibal / Rykodisc) and enjoying them.
I can reconcile buying Phil Manzanera solo albums while ignoring Brian Eno and BryanFerry solo albums.I never heard anybody go ‘over the top’ when talking about the Manzanera LP’s; the fandom thereof seemed dignified.I listened with open ears, and liked what I heard.
It was also via the Phil Manzanera albums that I heard Random Hold, an amazing British progressive rock band.Their debut record was produced by Peter Hammill, and featured members of Phil Manzanera’s band.
I do not think I will write about the 5 x Bryan Ferry solo albums that I have, I have not heard them enough to really know of any nuances worth writing about (it’s the first 5, FYI).
Coming next week, next month...."Rock Album Best 100" from the Japanese "Record Collector Magazine 25th Anniversary" special issue.
I believe Mr. Eno was one of the people responsible for helping me determine how I viewed music fandom in the 1970’s.Coming from a background of psychedelic music and King Crimson, I was onto Roxy Music pretty quickly.I had read about this new group being touted by the management of King Crimson, with a debut album produced by Pete Sinfield, the lyricist of King Crimson.With the first two Roxy’s under my belt, I quickly snapped up the debut RM solo LP, “Here Come The Warm Jets” by Brian Eno.Who were the “Warm Jets”, an imaginary rock band, a take-off on the “Spiders From Mars”?
Well, after the pop-prog rock of the first two RM albums, “Here Come The Warm Jets” seemed ‘light’ to me, a snob at 16 already!Did I need fluffy pop music if my favorite record of the moment was “Larks’ Tongues In Aspic” by the mighty King Crimson?
In my limited access to the retail music world, I began to see what I found to be ‘knee-jerk’ reactions to Eno’s debut solo album, I could over-hear people saying that it was the greatest record ever made etc.I saw Eno T-shirts.How could Iight and fluffy pop music create such extreme fandom?Even before Eno’s 2nd album came along (which wasn’t long), I was already ‘finished’ with it, considering it to be an item of derision – my band even made fun of “Baby’s On Fire”, creating “Eno’s On Fire” (as in “Eno’s on fire, better throw up in the water…” etc.) – it seemed to me that the artist (and fans) were taking things way too seriously.
So, at the time Eno solo albums #2 & #3 were released – I ignored them.After “Warm Jets”, the only other one I heard when it was new was “Before and After Science” (album #4) – I got some new open ears, once I started working in record stores.It remains my favorite solo Eno album (I was 19 when it was released).
Truth be told, I got both Fripp & Eno albums when they were released, but…by the time both “(no pussyfooting)” and “Evening Star” walked down the pike – I was even kind of ‘done’ with Robert Fripp.
But it’s 2008, I’m 50 years old – and I should probably listen to all 4 x Eno ‘rock & roll’ albums again, now that I have re-mastered CD’s of them.I’ve spent the better part of 3 decades hearing about how wonderful they all are.I confess that I have enjoyed what I have heard from them, thus far.“Warm Jets” has a touch of ‘glam rock insincerity’ feeling to it!Of course, I am much more “OK” with British 70’s glam rock now than I was at that time.“Warm Jets” is neither ‘prog rock’ nor (really) ‘glam rock’.At times, it sounds like Eno is imitatingBryan Ferry when he’s singing!
Is it important to enjoy Robert Fripp when listening to “Warm Jets”?Lots of the guitar sure sounds like Phil Manzanera!Oh, it is.I never had a problem with his solo albums.But I also never heard anybody ‘rave’ about them.And I’ve only recently come around to the first 5 or so Bryan Ferry solo albums!Of course I have both Andy Mackay solo albums.Roxy Music solo album time now!
Last night was a "Dr. John - The Night Tripper" night. Thankfully, I could reach this by having CD's of "Gris Gris" and "Babylon" (which I had never played until last night!). Must go out and get a CD of "Remedies" now. Oh, and the MFSL gold disc is rockin', too.
Track Records U.K. low-priced sampler LP’s from approx. ’69 / ’70:
LPBACKTRACK 1POLYDOR NZ SP 137
1970 12 TRKS Arthur Brown etc. – Jimi Hendrix cover
LPBACKTRACK 1TRACK UK2407 001
1970 12 TRKS Arthur Brown etc.
LPBACKTRACK 2POLYDOR NZ SP 167
1970 12 TRKS Arthur Brown etc. – Jimi Hendrix cover
LPBACKTRACK 2TRACK UK2407 002
1970 12 TRKS Arthur Brown etc.
LPBACKTRACK 3TRACK UK2407 003
1970 13 TRKS The Who & Jimi Hendrix
LPBACKTRACK 4TRACK UK2407 004
1970 13 TRKS The Who & Jimi Hendrix
LPBACKTRACK 5TRACK UK2407 005
1970 13 TRKS The Who & Jimi Hendrix
LPBACKTRACK 6 (Mixed Bag)TRACK UK2407 006
1970 12 TRKS U.S. R&B material, licensed to Track
LPBACKTRACK 7 (Mixed Bag)TRACK UK2407 007
1970 12 TRKS
LPHOUSE THAT TRACK BUILT, THETRACK UK613 016
1969 13 TRKS
I recently completed this set of sampler records, finally finding a UK copy of Volume 1.It only took me about 27 years!These samplers feature all of the great acts of Track Records – The Who, The Crazy World of Arthur Brown, Jimi HendrixExperience, Marsha Hunt, Thunderclap Newman etc.
For volumes 1 and 2, in New Zealand, the photo of the child smoking a cigarette apparently didn’t cut it, so they substituted a nice color photo of Jimi Hendrix, usually found in the interior of his “Electric Ladyland”.
“The House That Track Built” is the most desirable LP of the batch, having a Who cut not available otherwise (the true original stereo studio version of “Young Man Blues”).
I have only recently embarked upon the Track Records UK “Allsorts” series.They are only slightly different from the Backtracks – only a few years later (’72 or so?), but it’s the same idea.
I know I’ve written often about Track Records UK – but I find them a fascinating set of folks – one label having all that talent (that specifically appealed to me and many others).All of these Track Record UK “Backtrack” sampler LP’s are very easy to listen to – as the material is nearly all fabulous.Listen and believe!
Thinking about the British 80's band Mainframe today. I posted a bit of everything I have over on Flickr. Jim D points out that they are covered on Discogs. Looks like I am missing one early LP on MC2 and a 12" called "Into Trouble with The Noise of Art". I want to hear any other work they did around the time of "5 Minutes"! Great stuff!
I am OK with most all of these hits – in 1968, you couldn’t miss ‘em.Even at 10 years of age, I was already more interested in albums than singles.I was also exposed to slightly “underground” bands, like Frank Zappa, Country Joe & The Fish, The Fugs etc – groups that did not trouble the charts.Paul Mauriat and Hugh Masekela were both instrumentals, OK in my book.Otis Redding, Archie Bell & The Drells, Diana Ross & The Supremes and Marvin Gaye are soul music, so not my #1 focus (I like Otis the best of the four).
Of the above listed artists, I have all the LP’s by Simon & Garfunkel, The Doors and The Beatles.I will call John Fred & His Playboy Band and The Lemon Pipers “singles artists”.
So, one French guy, one South African and one British act.Certainly a different line-up than it was in 1964!Sorry, I don’t know if there are any hidden Canadians present.
SILVER, HORACEBLOWIN' THE BLUES AWAY, BLUE NOTE US jazz
SILVER, HORACEFINGER POPPIN', BLUE NOTE US jazz
SILVER, HORACEFURTHER EXPLORATIONS BY…, TOSHIBA JPN jazz
SILVER, HORACEHORACE SILVER & THE JAZZ MESSENGERS, BLUE NOTE US jazz
SILVER, HORACEHORACE SILVER TRIO, BLUE NOTE US jazz
SILVER, HORACESILVER'S BLUE, PORTRAIT US jazz
SILVER, HORACESIX PIECES OF SILVER, BLUE NOTE US jazz
SILVER, HORACESTYLINGS OF SILVER, TOSHIBA JPN jazz
TJADER, CALLATIN KICK, FANTASY US jazz
Mostly jazz and a liitle bit of rock & roll, soundtracks, spoken word etc.All of this stuff is pre-1960 (I think!).The Spike Jones LP is one of the earliest things I ever heard.As a child, I was given the Harry Belafonte LP’s – and I have a few more LP’s than this, but they’re aren’t dedicated CD’s of them.This list is entirely CD’s of original pre-60’s releases.