Smash Hits, March 1981
9-18-08 Smash Hits – March 5 – 18, 1981
I was buying “Smash Hits” magazine from
In no particular order:
VISAGE – Mind Of A Toy
ELVIS COSTELLO – From A Whisper To A Scream
HUMAN LEAGUE – Boys and Girls
DEXY’S MIDNIGHT RUNNERS – Plan B
MOTORHEAD / GIRLSCHOOL – Please Don’t Touch
FREEEZ –
DURAN DURAN – Planet Earth
SIMPLE MINDS – Celebrate
LENE LOVICH – New Toy
THE SPIZZLES – Risk
THE WHO – You Better You Bet
HEAVEN 17 – (We Don’t Need This) Fascist Groove Thang
BOW WOW WOW – W.O.R.K.
DEPARTMENT S – Is Vic There?
DAVE STEWART & COLIN BLUNSTONE – What Becomes Of The Broken Hearted?
ORANGE JUICE – Simply Thrilled Honey
ROBERT WYATT – Stalin Wasn’t Stalling
THE PLASTICS –
MADNESS – E.R.N.I.E.
KIM WILDE – Kids In
Again, I’ll have to ask my GF for the Elvis Costello track! At the time, I bought Visage, Motorhead / Girlschool, Freeez, Duran Duran, Simple Minds, Spizzles, The Who, Heaven 17, Department S, Dave Stewart & Colin Blunstone, Robert Wyatt, Madness and Kim Wilde as new releases. The songs in this playlist were all featured in one way or another in this issue of Smash Hits, the British magazine.
Labels: Smash Hits
3 Comments:
Woah! Back when Nick Rhodes was in the full flower of his "I Wannabe David Sylvian" phase!
That's a mighty fine playlist of music that is still totally relevant in my world. Considering how prolific Elvis Costello was during those years it would be hard to find an issue that didn't mention something new from him.
Other than the mid to late 60s, was there ever a block of time that produced more innovative music than the early 80s? Heady times indeed.
Mr. Ware - I concur. The New Wave period was clearly the most fecund era of music since the equally revolutionary 63-68 period. I think of the New Wave era as a redux of the values of the 60s pre-hippy era; only with new technology. I think Tom Petty (?!) nailed it when he said "The 80s were not as good as the 60s, but better than the 70s." Of course, there were a ton of new postmodern ideas infusing pop in the New Wave era that had no 60s analog to make it all worth while.
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